Monday, July 1, 2013

V Julii MMXIII

Friday, 5 July, 2013
Seventh Day within the Octave of Sts. Peter & Paul; Semidouble, Red
Office: Festal Office as in the Common of Apostles, Ordinary melody and the doxology for all hymns at the Hours.

At Mattins, Invitatory Regem Apostolorum etc. from the Common, hymn Aeterna Christi munera also from the Common, antiphons (not doubled) and psalms (Pss. 18, 33, 44, 46, 60, 63, 74, 96, & 98), and versicles at the 3 nocturns from the Common, Lessons & Responds: 1st. Nocturn - from the ocurring Scripture (Friday in the 6th. week after Pentecost), 2nd. Nocturn - Sermon of St. Maximus from the the Proper with Responds from the Common, 3rd. Nocturn - Gospel excerpt from St. Matthew 19 with Homily of St. Jerome with Responds from the Common, Te Deum.

At Lauds, 5 antiphons (not doubled) Hoc est praeceptum, etc. from the Common with Sunday psalms, Pss. 92, 99, 62 & 66, Benedicite, 148-150; Chapter, Hymn Exsultet, and Versicle from the Common, Benedictus Antiphon Gloriosi principes from the Proper, Collect of the feast (29 June), No Commemorations nor Suffrages.

At Prime, first antiphon from Lauds w/ Pss. 53, 118.1 & 118.2, No Preces, Short Lesson from None in the Common.

At the Hours, antiphons 2, 3, & 5, respectively, from Lauds w/ the respective divisiones of Ps. 118; rest as in the Common, Collect proper.

At Mass, after Terce, Gloria, 2nd. orations of Our Lady/Saints & 3rd. orations at the choice of the Celebrant, Credo, Preface of the Apostles (Solemn Tone), Ite Missa est.

After None, the liturgical color remains red for the Octave Day of Sts. Peter & Paul, Double Major, the following day.

At Vespers, 5 antiphons Hoc est praeceptum, etc. (doubled) from the Common w/ Pss. 109, 110, 111, 112 & 116; Chapter, Hymn Exsultet, and Versicle from the Common, Magnificat antiphon Petrus Apostolus from the Proper, Collect proper for the Octave Day, no Commemorations nor Suffrages.

At Compline, Hymn Te lucis sung in the ordinary melody and doxology, No Preces, Salve Regina sung kneeling and in the Simple Tone.

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